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Sunday, July 26, 2026

Miles’ hands 💫

 


“The Hands of Miles Davis,” photographed by Irving Penn in 1986 during the cover shoot for Tutu.











When Penn arrived for the session, Miles greeted him with characteristic skepticism.


“I bet you want me to take this shirt off,” Miles said.


“Yep,” Penn replied.


“I bet you want me to take all these gold chains off, too?”


“Yep.”


The two spent the next hour working together. As the shoot wrapped, Miles surprised Penn with a kiss on the mouth before leaving. Reflecting on the encounter years later, Penn said that once he came to know Miles’ music, it struck him as “visual art of a most profound kind.”


Among the photographs Penn created that day was a remarkable series focused solely on Miles’ left hand. Set against a plain background, the images capture his fingers in various positions, as if pressing the valves of an invisible trumpet. Simple yet powerful, the photographs distilled Miles’ artistry into the very instrument through which he changed music.


Photos by The Irving Penn Foundation



Tibor Varga on Triston masterdub 💫

 



Another Jürg Schopper’s gem.

💎 



Eric Rohmer’s “Pauline à la plage” & Frank Zappa/Capt. Beefheart “Bongo Fury” 💫🤯💫

 


Some TV screen-shots of the movie… look what’s handling Pauline’s boyfriend…











Was it chance or a choice of the director?



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€ 5

 






Flea-market gems 💫

 


Mostly ECMs’ and an FMP-related solo guitar improvisation (recorded with Hans Reichel’s loaned recording gears!)














Saturday, July 25, 2026

Eberhard Weber’s Syndrome 💫

 


I cannot but think to a sort-of (positive) disease, an obsession about the music of Eberhard Weber, as I’m constantly listening to his music and compulsively buying (see some previous, recent posts) his amazing records from early ‘70s onward.

I knew him and his ECM vast production, but I only owned a bunch of his records.










It happened suddenly but inexplicably and inexorably after I bought one, then another and a third and then more and more discs at flea-markets and secondhand shops and - on a more systematic form - on Discogs, dealing with reputable sellers to complete what appeared like a full EW’s collection.

I’m hooked and in blissfull awe at the impressive compositions body this German musician issued!

A genius.

💫





Thursday, July 23, 2026

J.S. Bach’s eyeglasses 💫

 


J. S. BACH'S SPECTACLES




At J.S. Bach House / Museum in Eisenach (Germany)

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Maxonic field-coil drivers & Tungar PSU 💫

 


Needless to say: very, VERY rare stuffs!






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Monday, July 20, 2026

Tonstudio Bauer - Ludwigsburg 💫

 


How many times I read these words on ECMs’ covers, always a real guarantee of quality.

Here is an actual, recent picture of the external of the iconic studio, for your eyes, only 😉.




Priceless.

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Shit happens!

 


Poor Nagra T!





Angine de Poitrine’s sheet music 🫣

 






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Tekeli - the Great City of R’lyeh 💫


This amazing disk, handmade (yes! look at the artwork...) by Giorgio Salomon and Gino Pavan, with a gorgeous cello played by G. Frezzato on track 4, is a recently discovered beauty, a little gem.









It happened while I was driving in the Dolomites and I was listening to RAI Radio 3 "L'Idealista", a cool program of adventurous, seldom aired and heard music, one of the few still surviving the shitty musical offerings coming from the radio, once a goldmine.


The other intriguing and enriching programs are "Sei Gradi" and "Battiti", always on Radio 3... then, a desert!


Well, I was driving and the program was about H.P. Lovercraft's related music, which immediately captured my attention, as HPL was and still is a fave and a youth hero of mine.





I wrote in the past about the weird time-warping effect of listening to Wendy Carlos' “Beauty in the Beast” while reading HPL’s novels!


Names like Nyarlathotep, Cthulhu, Ishtar, Necronomicon and R'lyeh resonate deeply and then this music!


Shortly after listening to Tekeli at the radio, I realized the disk was played and produced by Giorgio Salomon, a great music lover and collector who I met several times at concerts and sometimes briefly chatted with... we sort-of lived music in parallel, as we used to hang out at same record shops and buy same elusive, now sought-after, collector's items over the decades.


it was quite natural for me to contact him and ask for more informations about what I listened to at the radio.


A few days ago, we managed to meet and we chatted as old friends with common background and he kindly handed to me one of the few remaining disks.


He proudly told me about the recording, which originated from some homemade tapes recorded decades ago, then manipulated and over and over (up to 64 layers at some point!) to get this dreamy, yet dynamic, sometimes explosive soundscape.


The HPL's reference isn't purely literary but - as a lover of the genre - a true soundtrack to the Ancients' cosmogony with a dark, timeless atmosphere which push the listener to get HPL's books from the shelves and deep diving in this otherworldly parallel universe.


Music-wise, the disk reminded me of some Dead Can Dance, Amon Düül II, Third Ear Band. Tangerine Dream and Brainticket, but are only suggestions as the music is quite unique, dissonant and fractal... but most of all, beautiful and immersive.


Kudos to Giorgio.


P.S. - a very limited quantity of this disk could be still available directly from the Author, so - you curious daredevil from Outer Space - feel free to contact me and I'll put you in touch with Giorgio Salomon.




💫