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Saturday, March 21, 2015

John Renbourn's teachings - Rotosound B12 "Piano Strings" Super Bronze for acoustic guitar




Here is maestro Frank Ford of Gryphon guitars shop, the fretted instruments heaven, who gives a wise suggestion about "why" changing strings regularly...

I recently discovered, thanking John Renbourn's well informed hint, as well,  the superb Rotosound Super Bronze B12 "piano strings".




        "A while ago, trying out different bronze strings, I came across some old Rotosounds in black and red packets that I had somehow managed to hang on to for years. They sounded really good, bright and well balanced but with a rich tone. The company were amused to hear that anybody should still have strings going so far back but assured me that, several packet designs later, their new strings were still the same quality. Rotosound bass strings have a high profile world-wide which may have overshadowed  their guitar strings. James How, who founded the company in the fifties, engineered a new type of string-winding machine that was a step ahead of the industry and all the strings are produced to the same degree of precision.  In addition to the phospher-bronze  round wounds, Rotosound also make guitar strings in the piano string design. That is with the wrap wire stopping short of the ball end so that a section of the core wire is exposed and only the core wire comes into contact with the saddle.  These strings are called Super Bronze.   It is actually an old idea and I  have a feeling that the very first steel strings used on the guitar in the 1800’s were like that. The gauges for both types of string go from 060 to 018 covered, and 026 to 008 plain."










Amazing sound improvement on my Lowden  S-35 RIO, Martin 00-21 and Harmony Sovereign H-1260 (see above pix) acoustic guitars.




Do you notice something weird on this string?

No?

Well, I do!











Sunday, March 15, 2015

Partridge 300B monoblocks and Luxman AT-3000



After a lazy winter, when springtime comes again (... or so...) my energy greatly improves and I find the time and goodwill and strength to move things around like I used to do when younger...

After enjoying The Joke/RK-50 integrated amp, I put in place my old, trusty Partridge/300B mono blocks, here used with Luxman AT-3000 super-permalloy passive preamp.



I'm using these days the smaller system with Cabasse and Studer A-730 disk-player as I'm currently mostly into small scale acoustic music...

This afternoon I greatly enjoyed Current 93's "Honeysuckle Aeons", a superb, dark lucubration by David Tibet and his cohort, a true well kept secret as a 2D4 recording, as well.



The sound of the 300B, now wired to 8 ohm after many years at 16 ohm, is rounder and thicker when compared to the balance of The Joke, but the soundstage size and depth, dynamics and naturalness of voices and overall timbres are stunning.

... but, pals, let me dare... 300B is such an overrated triode: also if pleasant, I mean VERY pleasant... well...  reminding yesterday listening, The Joke and its humble PCL 82s (and Alps RK-50 pot) is truly coming from outer space!





Jean Nantais's Lenco Reference, Siggwan & The Peak




Jean just finished Marion's mighty, bespoke, one-of-a-kind Lenco Reference and the bulky, yet classy and light-to-the-eye behemoth will be soon en route to Texas.



Marion choose the very best for his records playing at home… Jean Nantais's skill and good taste in squeezing the very best from our beloved Lencos' is legendary, as is the beauty of sound of Ebony wand Siggwan unipivot arm from New Zealand and The Peak from Italy, well… it's second to none, with its authority and trueness of sound.

A truly imposing and unique turntable, folks!


I wish Marion to enjoy his new music machine.



Saturday, March 14, 2015

The Joke



After some weeks of overhauling, me and my pals Lo and Francesco, finally were able to transform Luca Chiomenti's superb "Scherzo" PCL 82-based 1,7W integrated amp into a world-class El Cheapo sonic masterpiece.

The throwing away of the ugly walnut case and encasing of the amp into a bespoke 20 mm piano black more elegant chassis, adding new, better internal wire layout and... ta, taaaa... using the mighty Alps RK-50 top-of-the-line potentiometer, well...

... the chrysalis became a butterfly, the duckling a swan, the seed a flower... with Cabasse Dinghy 221 the inter-notes silence is incredible, like the detailing... with Thomas Mayer's Tango EQ-600/WE 437A LCR phono stage, I heard - with small scale recording - a seldom experienced load of micro details and so convincing overall beauty.

 Here shown the four sections RK50 in-hand, for size comparison


 The mighty Alps RK-50








With the old trusty Studer A730 and its TDA1541 "double crown" the sound is - like Vinnie Gallo once wrote "the best radio I ever heard".

1,7W are a very low wattage... BUT 1,700 milliwatts are more appropriate to describe the feeling I have when listening to "Scherzo" amp... also with Cabasse's 98 db/w/m sensitivity.

... now, after getting the Alps RK-50 pot, the butterly... aehm, the amp... is now - respectfully and thanking Luca Chiomenti's skill as a first class designer -  now named "The Joke".

Great music today, folks...


Thanking Lo, Francesco and Kazumasa Oguri-san for great contribution to "The Joke" project and, of course, last but not least, to Luca Chiomenti.






Stupidity Rag




This is the most silly guitar-related shot I saw in decades...




I would be tempted to DO NOT describe the fake, yet... this is such an offense for any guitar player!

Stupidity really rules the world, these days!





Friday, March 13, 2015

R.I.P. Dept. - Daevid Allen passed away...




Founder member of Soft Machine and Gong and visionary mind behind among the most adventurous music ever played during last century passed away after a long illness today, March 13, 2015.

Saw him once in concert, years ago... have a so vivid memory of the evening.

His sense of  music mas HUGE, his Cort glissando guitar and stage white suit were so unique.




Thankiing Riccardo Pioli for the above nice pix (taken in Trieste (Italy), August 1st, 2009)



I own dozens of his discs: the several Deya, Spain recordings period being my most beloved: recorded on A Revox open reel, they are so fresh and timeless!

R.I.P. and enjoy a free-Camembert and herbal-joys world, dear David... Zero to Eternity!






Friday, March 6, 2015

The Sound of Silence




I measured in my studio with Ivie IE-30 real time analyzer a -46 db in August, at 1,00 A.M. or so...







Anechoic room and blood flowing... WOW... I barely experienced something similar - i.e. at night, lightly semi-sleeping, a far pump-plump-pump noise from my heart... a quiet and reassuring noise, indeed.

Life.







Scoop! How REALLY acoustic guitars are made!!!









Wednesday, February 25, 2015

Musings?





Thanking Sam Gross for his no-frills wisdom... 




... beware the carrots...




Friday, February 20, 2015

Slate Audio - The Glassmat for Garrard 301 and 401




 MADE IN BRITAIN


First introduced in 1985, the Glassmat quickly became the best selling replacement turntable mat for both the Garrard 301 and 401. It was also an outstanding success when used with all other non suspended or heavyweight turntables. So successful was the Glassmat that demand often outstripped supply. Production ceased some fifteen years ago, however due to an ever increasing interest in the 301, 401 and other classics such as the Thorens TD124, there is now a renewed demand for The Glassmat. We therefore take great pleasure in re-introducing the Glassmat. By doing so we are now able to offer it to a new breed of connoisseurs. The amazing abilities of the the Garrard 301 and 401 and other classics of that period, have ensured that these players are now commanding the kind of price that they deserve. There was never been any doubt at Slate Audio that these players produced the best sound of all time, if reality is your priority, there simply is no other choice.



White glass...





Brown glass...

The Glassmat is so good, that Ken Kessler of Hi-Fi news asked us to include this mat as the prefered mat when we were asked to restore his own reference Garrard 401 and Thorens TD124  for him. We also fitted his decks to our Slate Audio Marble Plinth system, as well as providing him with our "Powerhouse" quartz referenced power supply. This system is still in use today in his demonstration room. The results of the revised and upgraded turntables were described by him as "magnificent".
The Glassmat improves on the standard mat in a way that will astound you.The Glassmat is produced from "Low Iron Mirror Finished Glass" for a perfectly flat playing surface. The recess for the record label is machined precisely, using CNC technology. In use, the Glassmat will completely damp the platter, as well as provide a firm and unyielding surface for the record to play on. The sub-sonic bass that bowled you over on first hearing will now sound solid, taut, and completely natural with no loss of depth. The highs will be high and clear with true definition and clarity.  As for the mids, they will now be produced in a way that can be unnervingly realistic. We believe that playing music at home should be an event, one that excites and is something that you look forward to with anticipation.  The Glassmat will bring you closer to that event.
The new generation of Glassmats have been refined in certain areas. We now offer a specialised and dedicated mat for each of the Garrards. The Glassmat is now produced in both translucent cream or translucent brown, so are a perfect match for the 301 or 401. The translucent brown version has a universal appearance, and promises the same performance when used with all other non suspended or heavyweight turntables. We have also improved the interface between the platter and the Glassmat with the application of a special micro membrane. This important refinement has led to greater clarity and focus across the whole frequency spectrum.
The Glassmat will easily out-perform all standard or  replacement mats for the 401/301/TD124/ETC, including the much more expensive Crystal Mat from Nagaoka.
Weight is 1.1 kg for increased mass and inertia, as well as complete damping of the platter. Low Iron Mirror finished glass. Diameter is 291.5mm, thickness is 6mm.


Cool and not hideously expensive.





Thursday, February 19, 2015

Tuesday, February 17, 2015

James Turrell's Roden Crater, Arizona




... what an alien, visionary place, folks...






... not far from Flagstaff, New Mexico, close to Arizona border: a volcano re-worked in 30 years by a man whose goal was giving emotion and freeing energy of Mother Nature.

A shrine.

A church without a Pope.

The truest... the only...



Next time...




Sunday, February 15, 2015

Nasotec Namoo NS-101B binding posts




Superb new binding-posts: Nasotec NAMOO NS-101B.




 Here are a few highlights...

-Made of only wood and pure copper
-Current carrying parts: pure copper, insulating parts: wood
-24K gold plated with non-magnetic undercoat
-Wooden parts: Very highly compressed (250 ton) birch plywood (They sink beneath the water)
-Drilling hole size(d): 11.5mm(0.45inch)
-Possible panel thickness for mounting (max.)
metal: 9.5mm(0.37inch) / wood(without insulation washers): 14mm(0.55inch)
-Spade contact fork size: min 6mm
-Size: 51(L)*21(D)mm / 2.0(L)*0.83(D)inch


A beauty.

Saturday, February 14, 2015

Dyer harp guitar replica by Merrill for sale...




Needing deep pockets to afford, BUT nonetheless much worth sharing this...









Gorgeous instrument, indeed.




Breaking News - Neumann DST replica from Russia!




Named "Neumann LS", hand-made in Russia and so weirdly built like the famed, sought after Neumann DST and DST 62 and soon available in a VERY limited quantity... price-tag will be an hefty USD 10.000!






Commonwealth 12D






Thanking Robin for sharing the first pixies of the beauty and Leonid for the measurements charts... coming soon.

Reportedly to be MUCH more consistent than Lumiere DST, without the embarrassing productions issues which flawed the great, previous Japanese replica most recent batches... so different from the gorgeous 2005 vintage I so much love and appreciate since then.





Wednesday, February 11, 2015

The Silence of a Candle or Ralph Towner sings...




A time machine scoop, folks… I'm a loyal follower and scholar of maestro Ralph Towner since my boyhood… I can play some of his great tunes and guitar pieces… met him several times after his concerts in my Country and own everything or so he recorded, solo, with Oregon, Paul Winter Concort or others…

… or so, I wrote…

Last Sunday flea market, visiting my vinyl pusher, he offered something… I mean something: a mint copy of Paul Winter Consort Icarus on Epic, dating back to 1972…





I was looking for this very wax since a long time and… voila': it dropped literally in my hands.

This disc is very important for any Towner, McCandless and Walcott's scholar as some great compositions were played and recorded, sort-of pre-dating the birth-to-come of Oregon, the group whose consistency lasted for about 40 discs and years, also if abruptly interrupted and shaken at its foundation when the late, great Collin Walcott perished in a dramatic car accident in Germany, in 1984… only a week or so after yours truly saw him and Oregon in concert in Padua, a 100% acoustic concert which a younger me loved immensely and which I still listen to from the C120 Dolby C cassette recorded at the beautiful venue (Sala dei Giganti at Liviano) on a Sony WM6DC.

…  but back to the 'Icarus" vinyl: the group is quite raw and primitive, recording - also if cover claims production by George Martin and remixing at London AIR Studios - is nothing special.

Music is special, indeed…

On side One, the third track is a well-known title "The Silence of a Candle", a timeless melody which was reiterated more times in different shape, still keeping its beauty.

A true masterpiece!

When my Lumiere DST cartridge reached the track, I already read from liner-notes that Ralph Towner was on vocals… also saw and read the text, so… was sort-of prepared…




Nope!

A young, as seen on the hippy-ey, new-agey cover, Ralph Towner began singing with a beautiful, never heard voice… strangely reminding to me (young) Van Morrison!

Look at the standing young gent, center cover, with sideburns… those were the days.

The piano was beautifully accenting and underlining the melody and the text served the unicity and completeness - at last - of the very first iteration of the tune, which I discovered - to my surprise - to be... a song!

… not really surprised to find Ralph - beside being a guitar player, a maven on both classical and 12 strings guitars, a pianist, a cornet player - so a supremely talented and gifted multi-instrumentalist also in his early recording years, also owned such a beautiful voice… well, this made me feeling closer to one of my most beloved composers and musicians in my personal Pantheon.

… not shocked or surprised, but with a sense of warmness and communion, coming from knowledge and enjoyment.




… from the mist of long-gone decades, to the eternity of Music.


Thanking maestro Towner for the endless pleasure he gave to me with his music and trusting he's better, now and fully recovered and re-found good health.






Monday, February 9, 2015

Living music





... my music source of choice: last evening, playing live... with the humble '69 Harmony Sovereign H-1260 acoustic...




... I guess, looking at the capo at 3rd fret, while playing Bert Jansch's "Veronica".

Thanking the unknown photographer for the nice shot... it's truest me.







Sunday, February 8, 2015

Snow Biking




... my new biking obsession...




... snoooooooow now!




Site of the Month - ATAE from California



Superb re-manufacturer of Studer studio open reel machines...




Browse their site... quality is so tangible to almost be painful, considering the price tags;-)))!