Sunday, October 19, 2014
Thursday, October 16, 2014
Saturday, October 11, 2014
Friday, October 10, 2014
A major publishing event—a beautiful, comprehensive collection of the lyrics of Bob Dylan with artwork from thirty-three albums, edited and with an introduction by Christopher Ricks.
Available for order now: http://smarturl.it/bobdylanlyrics
As it was well put by Al Kooper (the man behind the organ on “Like a Rolling Stone”), “Bob is the equivalent of William Shakespeare. What Shakespeare did in his time, Bob does in his time.” Christopher Ricks, editor of T. S. Eliot, Samuel Beckett, Tennyson, and The Oxford Book of English Verse, has no argument with Mr. Kooper’s assessment, and Dylan is attended to accordingly in this authoritative edition of his lyrics.
In the words of Ricks: “For fifty years, all the world has delighted in Bob Dylan’s books of words and more than words: provocative, mysterious, touching, baffling, not-to-be-pinned-down, intriguing, and a reminder that genius is free to do as it chooses. And, again and again, these are not the words that he sings on the initially released albums.”
This edition changes things, giving us the words from officially released studio and live recordings, as well as selected variant lyrics and revisions to these, recent revisions and retrospective ones; and, from the archives, words that, till now, have not been published.
The Lyrics, edited with diligence by Christopher Ricks, Lisa Nemrow, and Julie Nemrow.
As set down, as sung, and as sung again.
Almost 1,000 pages and 13 pounds, this slip-case edition is roughly the size of an LP record, and is being published as a limited edition.
Available for order now: http://smarturl.it/bobdylanlyrics
File near "Blood on the Tracks" and "Blonde on Blonde"...
Posted by twogoodears at 10/10/2014 06:10:00 PM
Thursday, October 9, 2014
Wednesday, October 8, 2014
Nice, elegant, well built... welcome to this new arm!
The GrooveMaster specifications:
Soooo cool in classic Hammertone finish!
Posted by twogoodears at 10/08/2014 08:58:00 PM
Sunday, October 5, 2014
245 amazing B/W pictures in 5 sections, an unique journey around our Planet...
A must see, folks... in Milan 'til November 2nd, 2014.
Posted by twogoodears at 10/05/2014 12:33:00 PM
Got this D-to-D vinyl record from my pal Michael Vrzal, who stopped at my place to say hello on his way back home to Berlin.
A nice, nice disc, with the superb clarinet of Kinan Azmeh and music which blends - you'd bet it? - Eastern and Western music in the noble path and heritage of East meets West of Sir Yehudi Munhuin, back in the Seventies.
The recording, recorded on February 12, 2012 in Berlin is a live direct to disc recording, where the tonmeister used Sennheiser's MHK 20, 30 and 50 mikes... the sound of these mikes is - as also the best old BIS recordings proved several times - lively, natural and smooth... comparing a Neumann's to an MC cartridge, these mikes are like a good MM cartridge...
Msic flows easily to the ear... second track on side 1 - i.e. "November 22" is a nice, nice piece of music, dynamics are top notch and worth the disc.
A limited edition disc, my copy is # 28, is showing one more time the merits of BMS' vintage Telefunken and Neumann's mixer, mike preamps and lathing machines.
Pressing is made by Pallas...
Enjoyed it a lot.
Thanking Michael and his wife for visiting... and for the gift.
Posted by twogoodears at 10/05/2014 10:55:00 AM
Saturday, October 4, 2014
Friday, October 3, 2014
Yes, folks... the guitar is safe, in Steffen's loving hands...
That's REALLY great news!!!
Look at the low notes compensation at nut... and at the wood and mother-of-pearl inlays...
Thanking Steffen for his great, time consuming job in finding one of the most famous Mexican guitar ever, i.e. this iconic 12 strings guitar used and owned by Robbie Basho, and good luck with the restoring of the old lady.
... now, let's find the old 6 strings, Robbie's old Weymann's...
Posted by twogoodears at 10/03/2014 07:35:00 AM
Sunday, September 28, 2014
... after sparingly listening to my system, it's simply wonderful turning it ON and having some music... and aural memory clicks from this...
... to this...
... it's like listening to a brand-new system, not my own... which I'd so gladly buy again and again...
A love affaire.
Posted by twogoodears at 9/28/2014 12:13:00 PM
Wednesday, September 24, 2014
The study of the structure of the ear is a study in physiology. The study of human perception of sound comes under the general heading of psychology.
Psychoacoustics is an inclusive term embracing the physical structure of the ear, the sound pathways, the perception of sound, and their interrelationships. Psychoacoustics, quite a recent term, is especially pertinent to this study because it emphasizes both structure and function of the human ear.
The stimulus sound wave striking the ear sets in motion mechanical movements that result in neuron discharges that find their way to the brain and create a sensation. Then comes the question,
How are these sounds recognized and interpreted ?
In spite of vigorous research activities on all aspects of human hearing, our knowledge is still woefully incomplete.
Sensitivity of the Ear
The delicate and sensitive nature of our hearing can be underscored dramatically by a little experiment. A bulky door of an anechoic chamber is slowly opened, revealing extremely thick walls, and three-foot wedges of glass fiber, points inward, lining all walls, ceiling, and what could be called the floor, except that you walk on an open steel grill work. A chair is brought in, and you sit down. This experiment takes time, and as a result of prior briefing, you lean back, patiently counting.
The Ear and the Perception of Sound - Alton Everest (from The Master Handbook Of Acoustics): http://
Posted by twogoodears at 9/24/2014 07:18:00 AM
Sunday, September 21, 2014
Listening to The Grateful Dead's "The Ultimate Dark Star" 3-LPs - a loop-like experience, 6 sides long, 100+ different live performances of seminal Dark Star from 1969 to 1993 and layered and edited by John Oswald, with Dick Latvala's and Bob Weir's blessing and support ... WOW!
It's such a sonic and musical experience...
Posted by twogoodears at 9/21/2014 03:52:00 PM
Saturday, September 20, 2014
... at last, after some weeks lost at the paint workshop, here is the definitive Lenkong platter!
It's 5.5 kilos aluminium alloy with bronze bearing/spindle hole and it's 32 cm diameter, like the cool Shindo platter and with its recessed top, it accepts both original sought-after, expensive BUT superb Shindo mat and OEM cork mats or whatever you wish to use.
The finish is also reminding Shindo's - only wise and cool difference: the platter underside isn't painted (sic...) so the idler-wheel is spinning on a friendly, even surface.
As the late Ken Shindo never did a Lenco dedicated platter, I respectfully named my platter with a Middle-Eastern hinting anagram - i.e. Noshid.
I'm sure Ken would forgive me - from the audio mavens heaven - as I've been a scholar and admired his work as a fan most of my life, always in debt for his teachings.
The sound... more to come... just stay tuned... first spinning and careful stethoscope tasting with the dedicated, bespoke, oversized bearing says "OK!", definitely.
The improved lathing precision and increased thickness on top plus the added peripheral mass, all these details... well, will make Lenkong a Lenco statement, hopefully.
Now waiting for the plinth and in few weeks the duckling will be a swan...
... aehm, a swan:-)
Posted by twogoodears at 9/20/2014 08:26:00 AM
Friday, September 19, 2014
R.I.P. sincerely and thanks for being.
Posted by twogoodears at 9/19/2014 03:35:00 PM
Great Studios' Dept. - Stefano Amerio's ArteSuono, in Cavalicco, near Tavagnacco, Udine, Friuli Venezia Giulia, Italy
Yes, pals... jokingly, I fussily specified where Stefano's studio is... a small, tidy and tiny town, near a mid-sized city in Northern Italy, only few dozens miles from Slovenia and Austria's borders.
It's out of the fast highways of music industry, like Paris, Milan, Berlin, London or NYC... one of the reasons of ArteSuono studio's successes and awards, but not the main one...
I arranged to visit Stefano Amerio's studio, early this week and we timely met at his place for an informal chatting which I planned in ten minutes, as I well knew how to approach, out of my own and my readers curiosity, the matter.
Sometimes a sound engineer suffers of youth average music-playing and relative stresses... i.e. - not being a musicians but loving music, got a studio... sure not Stefano's case.
He got formal classical music education and played piano most of his life... but as a young, he also got intrigued by rock and jazz, and - most of all - by live music, attending, still in his teens, to gigs at a local place called "Cadillac", where he met top musicians like Glauco Venier, Giovanni Maier, U.T. Gandhi and others which are still good, best friends since then.
While chatting with Stefano, what was more than apparent was the friendships bonding in music, good food and good time and... humbleness and no-frills overall-approach to life.
This 47 years old professional, who recorded 1.500+ disks, 40+ for ECM, but also for ACT, Label Bleu and... have a look here below for an impressive list, candidly told me and remembered when he got a loan from his dad to buy some car-worth costing studio equipments, namely Tascam's gears,with a promise - i.e. if you will not be able to make your living on these gears after one year, you'll find a job, or something...
A job vs. a mission... something which is hard work, looooong hours of attention to details, patience, but, also a skill which is more of an artisan than a technician or an electronic clerk of some sort.
ArteSuono... all is in these words, the name of Stefano's own studio and record label... Arte, art of course, which is music and good taste, a broad sense of aesthetic, from what sounds good to a listener ears to the pleasure of handling a nice disk jewel box and Suono, sound... because music played in an anechoic room doesn't contain all its information, harmonics, decay and infinite fractalities which can make also a glass crashing on the floor a musical event... when properly captured on a proper storage media.
Chatting in front of the huge OTARI Elite Plus 78 channels (39 stereo) analog mixer, with large Genelec speakers and a screen monitor for Pro-Tool, was such a pleasure, as mr. Amerio is a nice conversator and his memory lane is so full of interesting and amusing short tales and stories: the first time that Enrico Rava entered the studio door... bemused by the place - a small studio, as it was a few years ago - before expanding to the actual three large rooms.
Yet, Rava, in his Electric Five period, introduced by Glauco Venier to Stefano, gave a chance to the young Tonmeister; Stefano still vividly remember when Enrico himself, while soloing on his horn in the studio and getting the monitor sound at his earspeakers, loudly esclamed his sincere appreciation with his very own, unique voice... for the premium monitoring he was getting.
From this first sessions, ArteSuono studio got more and more into jazz and related territories - Stefano's very first jazz recording was Glauco Venier's "L'Insium" (the dream) - without forgetting classical works... untired and always enthusiast, Stefano Amerio, a renowned pro since 1990, recorded and recorded and recorded and mastered and mixed and...
He travelled to Capodistria to record on a Steinway piano, years ago not so common... now he has a Fazioli F 278 grand piano in his studio...
A superb, vintage Neumann SM 69 stereo mike and the Fazioli F 278, open lid...
When he began to record, he had a AKG 414, then a Neumann U 87... now he owns and uses the very best mikes... Stefano, who call himself "crazy for mikes", loves B & K and DPA 4006 and 4011's, but also SM and USM-69 by Neumann's... and Schoeps'... never without'em, he told me... just look over the Fazioli's!
The suspended, hanging "thing" is a laser to tune the right positioning of the Shoeps' mikes on Fazioli's soundboard...
He still looks for good mikes on Ebay, like myself and many others... what - as a pro - he gets more than the average amateur recordist is premiuim capsules matching at Neumann's or DPA or AKG, where he also got some original C-12 sputtered-gold diaphragms for his The Tube's mikes... jealous!
... a cool CAD-E100 for bass drum kit...
... and Manley's and... and...
Visiting the studio, Stefano was humbly saying that it's like a garage for cars... where cars are fixed or tuned to better perform... ArteSuono is not a stardom place, yet, you can find Manfred Eicher or Steve Lake producing this or that ECM's musician... but Anouar Brahem, Enrico Rava, Stefano Bollani, Paolo Fresu, Ralph Towner, Bobo Stenson, Norma Winstone, Evan Parker and many, many, many more are - simply and totally - after music, like Stefano Amerio is.
Here are some names, artists and labels, Stefano worked with:
ECM / DREYFUS / VERVE / UNIVERSAL / CAMJAZZ / BMG / EMI / LABEL BLEU / BLUE NOTE / ACT / Skip Records / El Gallo Rojo Records / Splasc(h) / Auand / Caligola / Abeat / Enrico Rava / Aldo Romano / Joe La Barbera / Doug Yowell / Paolo Fresu / Omar Sosa / Rosario Giuliani / Francesco Cafiso / Kenny Wheeler / Fred Hersch / Ralph Towner / Jonh Taylor / Bobo Stenson / Vigleik Storaas / Fontaine Burnett / Kevin Bents / Martin Tingvall / Edward Simon / Amina Alaoui / Iva Bittova / Carla Bley / Norma Winstone / Lee Konitz / Mark Copeland / Huw Warren / Sam Most / Mark Helias / John Zorn / Evan Parker / Luca Aquino / Tomasz Stanko / Tor Yttredal / Roscoe Mitchell / Joey Barron / Han Bennik / Steve Swallow / Miroslav Vitous / Raffaello Pareti / Furio Di Castri / Jormin Anders / Marc Ribot / Paul McCandless / Marilyn Crispell / John Parricelli / Phil Markowitz / Stan Sulzmann / Nikki Iles / Thomas Morgan / Kevin Bents / Fontaine Burnett / Ari Hest /Misha Alperin / Anouar Brahem / Dominique Pifarély / Dino Saluzzi / Anja Lechner / Susanna Wallumrod / Giovanna Pessi / Yang Jing / Pierre Favre / Gianluigi Trovesi / Rudy Valente / Elisabetta Antonini / Maria Pia De Vito / Eivind Aarset / Jason Rebello / John Abercrombie / Jonathan Gee / Frank Harrison / Louis Stewart / Peter King / Jeremy Brown / Anke Helfrich / Stephen Keogh / Eric Vloeimans / Christian Muthspiel / Martin France / Michael Godard / Swinger Singers / John Law / David Shea / Tamara Obrovac / Benedikt Janel / Antonio Miguel / Owen Howard/ Emanuel Bex / Johnny Neel / Klaus Gesing / Danilo Gallo / Francesco Bearzatti / Giovanni Mazzarino / Nico Morelli / Paolino Dalla Porta / Eugenio Macchia / U.T. Gandhi / Giovanni Maier / Roberto Gatto / Michele Rabbia / Zeno De Rossi / Gianlivio Liberti / Michele Salgarello / Stefano Bagnoli / Gianluca Petrella / Dado Moroni / Daniele Di Bonaventura / Furio Di Castri / Enzo Favata / Xavier Girotto / Giovanni Guidi / Giovanni Mazzarino / Andrea Pozza / Paolo Birro / Umberto Petrin / Fabrizio Puglisi / Stefano Battaglia / Stefano Bollani / Glauco Venier / Rosario Bonaccorso / Marco Tamburini / Simone Guiducci / Ettore Fioravanti / Achille Succi / David Boato / Marcello Allulli / Giorgio Pacorig / Gaetano Valli / Nevio Zaninotto / Daniele D'Agaro / Domenico Caliri / Roberto Cecchetto / Pietro e Marcello Tonolo / Danilo Rea / Maurizio Giammarco / Piero Leveratto / Ares Tavolazzi / Fabrizio Sferra / Saverio Tasca / Vinicio Capossela / EVA / Elisa / Bruno Lauzi / Sergio Endrigo / Rossana Casale / Simply Red / Pooh / Milva / Antonella Ruggiero / Adriano Celentano / 883 / Ultranaté / 99 Posse / Roy Paci / Robert Miles / Tenores di Bitti / Clobeda's / Nosisà / Zuf de Zur / Gigi Maieron / Strepitz / Furclap / Dario Zampa / FLK / Lino Straulino / Aldo Giavitto / BTK / Crash / W.i.n.d. / Link / Bandelia / Cuinon / Arbe Garbe / Remo Anzovino and more...
Impressive list, doesn't it?
Yet, no sexy, tall ladies named Philippa or Portia to welcome and open the door or make a coffee as I found in some London's studio... Stefano's mom tried to put a phone call through while Stefano and myself were chatting... his dad was mowing the lawn, in the nearby garden of the Amerio's family house.
Easy: normal people making extraordinaire things.
I'm sure NOT downsizing the studio facility describing it as "normal"... yet, it's so normal with its out-board gears and monitors, and mikes and sliding glass doors, as a studio isn't a temple without its priest... aehm, the Tonmeister, Stefano Amerio, was able to tailor with his quiet and no-frills approach, both a technical and human place where, strange enough, there is not the usual glass window which makes playing and recording musicians to see and look at the sound engineer and vice-versa.
Musicians are sure able to see each others, of course... this alone, in my opinion, makes ArteSuono studio someway and more a one-of-a-kind studio.
No intimidating people looking at knobs while playing and recording.
ECM... mmmhhh... beside already being a successful studio owner, Stefano admits he had goose-bumps when, via Enrico Rava and Glauco Venier and Anouar Brahem, Manfred Eicher entered the studio... and he realized something was changing for him... in better, of course.
They got more and more reciprocal confidence, made of empathy and serious, hard work, recording both in Cavalicco and at RSI - Radio Svizzera Italiana studio in Lugano with its superb Studer Vista 8 digital mixer and then remixing the audio files at ArteSuono and some tales where told to yours truly on the matter by mr. Amerio, during our chatting.
Life and music, music and life... and dedication and commitment to the final result.
Further, a few silly questions were answered by a patient, always smart, smiling and gentle Stefano, here in random order: miking patterns used are... XY, ORTF, Blumlein, multi... everything needed and depending on the mood and necessity, without strongly advocating this or that; some Lexicon's reverberation is used, no EMT "gold leaf", but also natural reverberation is nicely used in studio.
Stefano's desert island disc? Dark Side of the Moon, which changed his life... a disk copy on Original Master Recordings was on mixer, by chance, and an autographed vinyl cover - by Pink Floyd full original members - of this seminal masterpiece is cherished by Stefano, as well.
His sound engineer of choice, his master? James Farber and his Avatar studios in NYC.
The recording he's prouder... not a sharp, single reply... yet, he's very, VERY proud of final, overall result about Giovanna Pessi's "If Grief Could Wait" on ECM 2226.
Italian province, narrow country roads, where slow driving is a must... nearby hills, where also Fazioli grand pianos are hand made, three per month, not hurrying up... in Sacile, only few miles from Amerio's place.
Quality, human-sized and managed activities... food, wine, music... this is Friuli, the italian province where Art and Sound blends with Nature... and Music blossoms from Stefano Amerio's hands.
Simply... like being compared to Jan Erik Kongshaug, Martin Wieland and James Farber.
Thanking Stefano Amerio for his time, hosting and patience and for making our three hours long meeting like a ten minutes chat.
I sincerely wish to him all the success he deserves.
Posted by twogoodears at 9/19/2014 03:21:00 PM
Sunday, September 14, 2014
A great overlooked disk, pals... found it for a coffee at the local flea market, this morning... what a disk!
Seldom heard textures from Finland.
Better reading Tyran's always great review about the disk, instead having a lesser me just saying wow and cool and...
Worth listening to this... and, as a plus, a superb quality recording by Martin Wieland in glorious AAD!
Posted by twogoodears at 9/14/2014 12:39:00 PM