My love for acoustic 12 strings guitars began many decades ago... even before Claudio Rocchi's Volo Magico n. 1, Shawn Philips' Collaborations, Faces and Contributions, where acoustic 12 strings was King, I heard one day an heavenly sound in the immaterial form of an italian TV screenplay title-track...
"
Un certo Harry Brent" was the title and like many '60 and '70 b/w RAI Italian TV productions, the quality of the TV movie was quite high...
Other incredibly nice productions were, for example, "
A come Andromeda" with a superb Paola Pitagora and Tino Buazzelli and Paolo Ferrari in Rex Stout's "
Nero Wolfe": both screenplays sported very nice soundtracks and title tracks music.
... but back to Harry Brent...
I don't remember nothing about the screenplay, itself;-)
... but sure it left
something indelible, music wise.
I already had my guitar and I loved strumming, alone or with friends... but when I heard this full, complex, beautiful sound, these harmonics...
Donovan's "Roots of Oak" was B side to "Riki Tiki Tavi" and mr. Leitch's group was a trio, actually... acoustic guitars, six and a twelve strings and percussions.
I immediately found the 45 rpm 7" disc at a local records shop and I worned it out, listening and re-re-re-listening... the seed was in me.
The music - listened now - isn't
so special, but special are the sounds and guitars blend and matching.
It was 1970 and I only owned 7" records at the time, my first long-playing was going to come, thanking my dad, who bought Le Orme's Collage for Christmas...
I bought a Yamaha 12 strings guitar, shortly after, and I was hooked forever.
... and I still am and I play
mostly 12 strings, these days, as well, also if now I enjoy some sought-after Guilds' and Blazer & Henke's this complex sound resonates in me.
... after 47 years!
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