Sure not high fidelity but VolksKlang 💫
This is Stefano Bertoncello's Blog (ステファノ・ベルトンチェッロ - トゥーグッドイアーズ − ブロガー、オーディオ&ミュージック・コンサルタント) devoted to pacific topics like Music - live and reproduced - i.e. discs, audio, guitars - both vintage and new, concerts, workshops, and related stuffs. Furthermore: travelling - as a mind-game and real globetrotting, and books, movies, photography... sharing all the above et al. and related links... and to anything makes Life better and Earth a better place to stay, enjoying Life, in Peace.
… to an Italian friend: professional, humble and precise, I’m pretty sure about the results!
My pal Andrea is in bliss 💫
Among the precedents of Brian Eno and Peter Schmidt's "Oblique Strategies", George Brecht's "Water Yam" is always cited. And, in fact, Eno and Schmidt's links with Fluxus, Brecht's current, are not lacking. "Water Yam", however, is something radically different.
First marketed in 1963 in New York, Brecht's fluxkit consists of a box containing sixty-eight cards. And on the cards are the minimal scores of the events: single actions such as sitting down or getting up, drinking a glass of water or turning off the light switch.
In essence, an everyday gesture is extrapolated from its context and performed before the eyes of the public. Together with his friend and colleague Bob Watts, George Brecht has been organizing, since the early 1960s, the Wam Festival, a festival entirely dedicated to the performance of events.