Their limited bandwidth, rather than annoying or disappointing, gives a very pleasant "reading" of the music... the bass and treble are there, but the midrange is so beautiful and plump that you don't get tired and listen to record after record after record and discover details that other speakers hide with too much unwanted information... the high notes of a live violin are much more similar to the violin reproduced by the JW Flagons!
Another merit of these seldom-seen loudspeakers, coming from the fervent and unashamed creative mind of Ted Jordan, is their point-like emission character - i.e. - they virtually disappear in the room and you’re not able to identify their physical size as music comes, not forced or screaming, but free and with a wide, natural “breath”.
The “Flagon” on their Foundation Design stands 💫
Truly surprising... when in old Studietto, the listening sessions weren’t so much satisfying…
P.S. - the MOST satisfying and wonderfully matching amps I used with my “Flagon” (16 ohm) proved to be the venerable Quad II mono-blocks with GEC “smoked” KT66 🥇🥇🥇
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