This is Stefano Bertoncello's Blog (ステファノ・ベルトンチェッロ - トゥーグッドイアーズ − ブロガー、オーディオ&ミュージック・コンサルタント) devoted to pacific topics like Music - live and reproduced - i.e. discs, audio, guitars - both vintage and new, concerts, workshops, and related stuffs. Furthermore: travelling - as a mind-game and real globetrotting, and books, movies, photography... sharing all the above et al. and related links... and to anything makes Life better and Earth a better place to stay, enjoying Life, in Peace.
Friday, January 27, 2012
R.I.A.A. equalization curve - friend or foe?
Read carefully those Wikifacts, folks... cannot stop thinking while reading above RIAA's genesis - more politics than music-related - that yesterday evening I listened to a couple of open-reel tapes at 15 i.p.s. on my de Paravicini's Revox G36 tape recorder... a rare Giacinto Scelsi's organ recording I did years ago, using Neumann USM-69 in Blumlein with Nagra IV-S... the sound was soooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooo liquid, natural and smooooooooooooooooooooooooooooth, dynamic, effortless and beautiful... I was ready to sell... BETTER: give away ALL my vinyls... few notes and ALL is incredibly clear: first generation open reel Basf tape IS music.
RIAA... NAB, CCIR... equalization standards are words, acronyms... conventions... music is as simple as breathing air... as open-reel and first generation master tapes.
The best, VERY best vinyl playback?
A good second... at best.
You just have to accept the fact that all record/playback are colored in their own way and they are just fill in between the time you can hear live music.
ReplyDeleteThanks for having an interesting site and sidebar links.