Some seldom seen pixies inside Abbey Road after recent renovations
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This is Stefano Bertoncello's Blog (ステファノ・ベルトンチェッロ - トゥーグッドイアーズ − ブロガー、オーディオ&ミュージック・コンサルタント) devoted to pacific topics like Music - live and reproduced - i.e. discs, audio, guitars - both vintage and new, concerts, workshops, and related stuffs. Furthermore: travelling - as a mind-game and real globetrotting, and books, movies, photography... sharing all the above et al. and related links... and to anything makes Life better and Earth a better place to stay, enjoying Life, in Peace.
It's the (approximate) 500th anniversary of the birth of one of the greatest composers of the Renaissance era.
His exact birth date might be unknown, but there is no doubt about Giovanni da Palestrina's musical genius. With his countless masses, motets and madrigals, infused with a deep sense of spirituality and musical beauty, he is often referred to the 'Saviour of Church Music', writing at a revolutionary time when Rome was rethinking the rules of music composition.
He wrote the rules of counterpoint. Say no more...🙂
… more revamping gears previously idling on shelves… today, the Meridian 563/500/500 digital combo is back on duty ✅
Please forgive me for the above childish photo-elaborations: they’re justified by how good my old records sound, today!
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From Hannes Bieger:
I‘m saddened to hear about the passing of Brian Wilson, one of the greatest legends and innovators in our craft of record making. I took this photo of Western Recorders Studio 3 for a Sound On Sound article.
This is the surprisingly small space where the epic soundscapes of „Pet Sounds“ have been crafted. An album for the ages…! 🐐🎛️🎶
Thanks for sharing, Hannes 🙏💫🙏
"The Bridge": a real bridge, the Williamsburg Bridge, where it seems that Sonny Rollins was forced to practice so as not to disturb the neighbors. But also the bridge intended as a symbol of overcoming a troubled period, marked by uncertainty, such as to keep him completely inactive for two years.
That this great interpreter of the tenor sax was plagued by doubts, especially of an artistic nature, can be understood by peeking into his biography, from which emerges a large number of contacts and influences undergone (and perfectly assimilated) since he was very young.
They range from the traditional master of the 40s Coleman Hawkins to the revolutionary Ornette Coleman, and it was probably the meeting with the latter, promoter of the absolute freedom of improvisation and not only (free-jazz), the most shocking, the one that forced him to take a long pause for reflection from which he would emerge triumphantly with "The Bridge" (1962).
SR practicing a top the Williamsburg Bridge... photograph by David McLane, New York Daily News
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