That’s a cashier’s check a musician get for his music from Spotify, Qubouz, Tidal and the likes…
That’s offensive and unfair and this picture would be enough for any music lover to buy records and CDs straight from the artist or record companies.
🎶🎶🎶💫🎶🎶🎶
Bought this 6 single-sides records-set years ago: it’s an SXL 2188 stereo test pressing in mono LXT 5539 package, Von Karajan conducted, John Culshaw produced masterpiece recorded at Sofiensaal in Wien.
It sounds AWESOME and it’s one of my Desert Island musical possessions.
🥇🎶🥇🎶🥇🤟🎶🥇💎💎🎶
When he begins using an arm-lift after a lifelong free-hand queuing 😱
🥳
Thanking my friend Jürg Schopper…
Stay tuned, folks… more to come 🤟
From an Idaho/Washington based indie group…
That’s quite… quite… 😱
We went to the National Patent Bureau yesterday, and finally have got an officially issued printed copies of patent (well, it was issued on a paper almost a year ago, and more than year ago in an electronic form) but the whole situation was not really welcoming for traveling).
Congratulation to us :)
PS: Since it's not always easy to understand - the patented principle is to use transformer in a serial crossover as both - inductance in a LF section of the crossover, and lossless attenuator of HF section.
From Misho’s words:
“So, we can do very simple while providing with versality (see one of the pics), use loseless attenuation (I hate losses in a resistive dividers or attenuators), providing with the DC decoupling in a first order serial crossover, etc.
And simplicity. I love simplicity.
One more thing. The middle point of the crossover should have ONLY LF signal, so the transformer will see on its primary Full freq. range signal at the top end, and LF signal at the lower end. So, HF range across the primary. So, this is why we MUST use a C (capacitor) in this type of crossover.”
Me too, Misho!
Congratulations to Yanislav and you 🥂🥂🥂
An avant-garde evening with the legendary duo.
Ryuichi Sakamoto and David Toop’s 2018 concert is being released on vinyl for the first time, as Garden Of Shadows And Light, via 33-33 this July.
The performance saw Sakamoto on piano, percussion and electric guitar, with Toop on flute, bass recorder, and prepared lap steel guitar.
Taking an improvisational approach, the duo focused on creating a spacious a sonic world over a larger, more coherent musical structure
Still an idler-wheel design, with a solid aluminum plinth and bronze platter, using the same bespoke bearing of Spindr Garrard 301…
Nice stuffs from The Netherlands 🥇
