Sunday, October 20, 2013
From John Cage's 4',33" to other silences captured in assorted recordings... a dadaist compilation, reminding to me the Giuseppe Tornatore's movie (Nuovo Cinema Paradiso) where the priest was cutting ALL kisses from EVERY movie to do not sexually move the young audience:-)
"SOUNDS OF SILENCE - the most intriguing silences in recording history
Patrice Caillet, Adam David , Matthieu Saladin
Disque Vinyle 33t / 30 pistes / 500 exemplaires
Alga Marghen (Milan)
Sound-Houses/FRAC Franche-Comté (Besançon)
/ Éditions Incertain Sens
«Sounds of silence» is a compilation of the most intriguing pieces of silence in the history of the recording industry. The album features moments of silence that range from the purely functional to the highly enigmatic, from the overtly political to the downright silly. There exist, of course, innumerable studies of the use of silence in music, John Cage’s 4’33’’ being the primary example. But for the most part, these studies concentrate on the use of silence in the realms of experimental music and sound art. We ﬁ nd, however, many other examples of silence both in popular and «functional» music (jukebox, elevator music, hi-ﬁ testing, etc...). The silent track seems to know no boundaries, it can be found in pop (John Lennon) and punk (Crass), in hip-hop (Afrika Bambaataa) and in metal (Soulﬂy), to name only a few of the more «classiﬁable» moments of silence. These silences are often marginalized, relegated to the ranks of a consumerist inside joke. In reality, each silence has a distinct meaning; they are semantically diverse. These silences speak volumes : they are performative, political, critical, abstract, poetic, cynical, technical, absurd...
They can be intended as a memorial or a joke, a special offer, or something entirely undeﬁ ned. This is the ﬁrst time such a wide variety of silences has been published. The album contains work by well-known artists, but also silences that are very rare, and therefore quite mysterious. The compilation presents the silences as they were originally recorded, preserving any imperfections that the hardware (vinyl, ﬂexi, cd, mp3, etc...) conferred upon the enterprise. This decision preserves each piece’s speciﬁc history, and gives each track an individuality that is music to the ears. So to speak. Our documentary approach reveals the obvious or presumed motivations for each of these «silences» all the while providing them a new context. This is an album to play full blast, any time, any place. A truly audio experience. The authors (Patrice CAILLET, Adam DAVID, Matthieu SALADIN)"
Interesting... and Francis Picabia and Eric Satie are smiling, somewhere...
Posted by twogoodears at 10/20/2013 08:19:00 AM